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By: Robert Wolf
Reprint from Mopar Magazine, December 2004
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On the corner of Meridian and South sits the oldest bar
in Indianapolis, Indiana. Said to once have been a brothel and the rear wall was used for
John Dillinger's target practice, to say the 1850 structure has character is an
understatement. Today, the sign above the door reads "Slippery Noodle Inn" and
on nay given night there's not one, but two live blues bands rocking the rafters. The Noodle
is without doubt one of the hottest blues clubs in the country. ![]() |
Being a huge fan of the blues, I make it a point to visit the Noodle every
time I'm in Indy; last March was no exception. The talk in the bar that evening was of a young
blues guitarist from my neck of the woods, Louisiana, who was coming to play the following week.
Kenny Wayne Shepherd was his name and, despite the fact we both live in Louisiana, I'd never
heard him play live. Since the guys expect a magazine every month, I had to miss his show at
the Noodle because I had to get back to the office. No sooner did I get back to work then I received a phone call from a friend regarding, of all people, Kenny Wayne Shepherd! Kenny was looking to buy a General Lee Charger and needed a little help finding a good one. After talking about what he was looking for, I knew what needed to be done - road trip! It was time to introduce Kenny to my friends at Redline Gauge works in California. I knew they would do the boy right and I also knew that Shannon's (of Redline) father-in-law, Renaud |
Veluzat, built the majority of the original General Lees for the
television series. Early April I hooked a plane to Los Angeles (Kenny's other hometown) where
Kenny and I headed over to the Melody Ranch, the late Gene Autry's film studio, 10 acres in
the heart of Newhall, CA Shannon introduced Kenny to Renaud, who himself is quite an
accomplished guitarist, and before long, a jam session ensued! There we were in an old
western movie set saloon, listening to our own private "unplugged" jam session so to
speak . . . I guess I can now say I've heard Kenny play live! Needless to say, the introduction was a success. But, in usual Mopar Collector's Guide fashion things quickly got completely out of control. Somehow, that simple plan to clone a General Lee evolved into creating one of the most radical General Lee Chargers ever. Initially, Kenny wanted nothing more than a daily driver look-a-like and wasn't concerned if it had a 318 or a 440 in it - he just wanted a fun cruiser. |
Shannon found a clean '69 383 Charge in Idaho at a bargain price, which
served as the basis for the operation. Then things got out of control rapidly! Instead of
building just another General Lee, this might be what you would call a new millennium General
Lee - the General Lee Version 2.0 perhaps?
What we're dealing with here is an entirely updated General Lee with modern state-of-the-art technology mechanically, electronically, and cosmetically. As shown in the accompanying artwork, this will not exactly be the same car Bo and Luke were throwing around dirt roads! Kenny's General will be much more at home hauling ass on the Pacific Coast Highway than churning gravel and sliding sideways between trees. MCG will have a full feature on the completed car in an upcoming issue, but we just had to give you a heads-up on this way cool concept. This General Lee is packing a lot of "shock and awe." Set to make its public debut at the 2004 SEMA show in Las Vegas, at the Gear Vendors booth alongside Troy Trapaniear's tricked out Hemicuda for "Fear Factor" host Joe Rogan. We guarantee, you're going to see a lot of this car in the months to come. In fact, the popular television show "Rides" is filming the car's construction for an upcoming show. Kenny Wayne turned over the whole project to Shannon at Redline because Shannon has an intimate knowledge of the original cars and has been in the hobby long enough to know where to get the parts. Likewise, Shannon knows who can get the specialized jobs done. Once the concept for the car was laid out, a parade of businesses and specialists signed onto the project, eager to put in their two cents to make this one a standout. We'll have full details on this in our feature, but here's the short list of major contributors to the cause: Ted Moser's handling the body work and paint, Steve Strope came through in the |
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